Post Production
Once film shoots have wrapped (been completed) the Post Production Sound Department begin work on constructing the sonic identity of the film. This involves a variety of work, ranging from creating the noises of giant explosions or car crashes to the art of adding subtle sounds that enrich the language and feeling of films.
Sound Post Production Overview
Once film shoots have wrapped (been completed) the Post Production Sound Department begin work on constructing the sonic identity of the film.
Supervising Sound Editor
Supervising Sound Editors are Heads of Department, responsible for all sound post production.
Re-recording Mixer
Re-Recording Mixers, formerly known as Dubbing Mixers, work with all the sound elements (Dialogue, Automated Dialogue Replacement, Foley, Sound Effects, Atmospheres, and Music), and mix them together to create the final soundtrack.
ADR Dialogue Editor / ADR Mixer
ADR/Dialogue Editors ensure that all the required dialogue on film soundtracks is accurately placed, and of the best possible quality.
Subtitler
The subtitling of feature films enables deaf and hard of hearing audiences to enjoy films.
Sound Designer
Sound Designers are responsible for providing any required sounds to accompany screen action.
Foley Editor
Named after Jack Foley (an innovative pioneer of the art at Universal Studios), "Foley" is normally defined as sounds related to movements, whether pertaining to a character or an object (footsteps, fights, fist banging on a door), or to the result of an object's movement (pouring wine, shards of glass falling from a broken window).
Music Editor
Music Editors help Directors to achieve their musical ambitions on films, and provide a crucial link between the film and the Composer.
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